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Enlace permanente: https://ladigitaldelreina.museoreinasofia.es/idurl/5/116561
Enlace permanente: https://ladigitaldelreina.museoreinasofia.es/idurl/5/116561
Exposición relacionada: El peso de la forma. El diseño gráfico de Carlos Cruz-Diez
Robho
Información del fascículo
Data | Value |
---|---|
Número del fascículo | 005-006 |
Fechas del fascículo | 1971 |
Información de la revista
Data | Value |
---|---|
Titulo uniforme | Robho (París) |
Título | Robho |
Otros titulos | Robho |
Otros autores | Clay, Jean Blaine, Julien (1942-) Clark, Lygia (1920-1988) |
Publicación | [Paris] : [s.n.], 1967-1971. |
Descripción física | 5 v. : il. ; 41 cm. |
Idioma | Francés |
Periodicidad actual | Irregular |
Numeración | N. 1 (juin 1967)-n. 5/6 (2º trimestre 1971) |
Materias | Vanguardias (Estética)-Francia-Publicaciones periódicas., Arte-Francia-S. XX-Publicaciones periódicas., Happening (Arte)-Publicaciones periódicas. |
Género y forma | Publicaciones periódicas. |
Notas | "Robho was founded by the art critic Jean Clay and the poet and artist, Julian Blane as a way to trigger dialog between their different interests in kinetic art and guerrilla theater, respectively. Reflecting Clay's interest in kinetic art, the title was an intentional misspelling of the word "robot", reflecting the phonetic spelling when pronounced in French ... Published in an editon between 1,000 and 1,500, Robho was a large-format magazine, each issue of which was printed in a different... Más "Robho was founded by the art critic Jean Clay and the poet and artist, Julian Blane as a way to trigger dialog between their different interests in kinetic art and guerrilla theater, respectively. Reflecting Clay's interest in kinetic art, the title was an intentional misspelling of the word "robot", reflecting the phonetic spelling when pronounced in French ... Published in an editon between 1,000 and 1,500, Robho was a large-format magazine, each issue of which was printed in a different color ink ... It contained criticism, interviews and artists' writings covering an international range of activities by artists' groups such as the Parisian BMPT group, the neoconcretist in Brazil, the Gutai group in Japan, the Tucumán arde project in Argentina, and the Art Workers' coalition in New York. It included a "guerrilla theater" section that reported on the San Francisco Mime Group, the Bread and the Puppet Theater, and the Diggers. Contributors included Willoughby Sharp, Yve-Alain Bois, Jack Burnham, Hans Haacke, Christo, and Vassilakis Takis. Notably it published an extensive dossier of writings by Lygia Clark in issues 4 and 5/6"--p. 293, Artists' magazines, [2011] Menos |
Exposiciones | N.1, N. 5/6, CDB. 166176Expuesto en: "El peso de la forma. El diseño gráfico de Carlos Cruz-Diez", MNCARS, 2021. |
ID/Nº registro | C00202209c |
ID del Proyecto | DGEXP |
Signatura | REVIIA PL03_05_009, REVIIB PL03_05_009 |
Colección digital | Publicaciones seriadas > Robho |
Copyright: Acceso restringido